Volume 102 of Harvard Studies in Classical Philology includes the following contributions: Mika Kajava, “Hestia: Hearth, Goddess, and Cult”; Jonathan Burgess, “Untrustworthy Apollo and the Destiny of Achilles: Iliad 24.55–63”; Anna Bonifazi, “Relative Pronouns and Memory: Pindar beyond Syntax”; William Race, “Pindar’s Olympian 11 Re-Visited Post-Bundy”; Michael Clarke, “An Ox-Fronted River-God (Sophocles, Trachiniae 12–13)”; William Allan, “Religious Syncretism: The New Gods of Greek Tragedy”; Edward Harris, “Notes on a Lead Letter from the Athenian Agora”; Miriam Hecquet-Devienne, “A Legacy from the Library of the Lyceum? Inquiry into the Joint Transmission of Theophrastus’ and Aristotle’s Metaphysics Based on Evidence Provided by Manuscripts E and J”; Jordi Pàmias, “Dionysus and Donkeys on the Streets of Alexandria: Eratosthenes’ Criticism of Ptolemaic Ideology”; Craige B. Champion, “Polybian Demagogues in Political Context”; Marco Fantuzzi, “The Magic of (Some) Allusions: Philodemus AP 5.107 (GPh 3188 ff.; 23 Sider)”; Brian Krostenko, “Binary Phrases and the Middle Style as Social Code: Rhetorica ad Herennium”; Deborah Steiner, “Catullan Excavations: Pindar’s Olympian 10 and Catullus 68”; Andrew Dyck, “Cicero’s Devotio: The Rôles of Dux and Scape-Goat in His Post Reditum Rhetoric”; Mario Geymonat, “Capellae at the End of the Eclogues”; Sergio Casali, “Nisus and Euryalus: Exploiting the Contradictions in Virgil’s Doloneia”; Thomas Cole, “Ovid, Varro, and Castor of Rhodes: The Chronological Architecture of the Metamorphoses”; Niklas Holzberg, “Impersonating the Banished Philosopher: Pseudo-Seneca’s Liber Epigrammaton”; E. Courtney, “On Editing the Silvae”; and D. R. Shackleton Bailey, “On Editing the Silvae: A Response.”

Volume 103 of Harvard Studies in Classical Philology includes the following contributions: Renaud Gagné, “Winds and Ancestors: The Physika of Orpheus”; Jonas Grethlein, “The Poetics of the Bath in the Iliad”; Daniel Turkeltaub, “Perceiving Iliadic Gods”; Ruth Scodel, “The Gods’ Visit to the Ethiopians in Iliad 1”; Alberto Bernabé, “The Derveni Theogony: Many Questions and Some Answers”; Herbert Granger, “The Theologian Pherecydes of Syros and the Early Days of Natural Philosophy”; Olga Levaniouk, “The Toys of Dionysos”; Filippomaria Pontani, “Shocks, Lies, and Matricide: Some Thoughts on Aeschylus Choephoroi 653–718”; David Wolfsdorf, “φιλία in Plato’s Lysis”; Vayos Liapis, “How to Make a Monostichos: Strategies of Variation in the Sententiae Menandri”; Stanley Hoffer, “The Use of Adjective Interlacing (Double Hyperbaton) in Latin Poetry”; Alan Cameron, “The Imperial Pontifex”; Llewelyn Morgan, “Neither Fish nor Fowl? Metrical Selection in Martial’s Xenia”; Christina Kokkinia, “A Rhetorical Riddle: The Subject of Dio Chrysostom’s First Tarsian Oration”; Andrew Turner, “Frontinus and Domitian: Laus principis in the Strategemata”; Miriam Griffin, “The Younger Pliny’s Debt to Moral Philosophy”; Gregory Hays, “Further Notes on Fulgentius”; Wayne Hankey, “Re-evaluating E. R. Dodds’ Platonism”; Seán Hemingway and Henry Lie, “A Copper Alloy Cypriot Tripod at the Harvard University Art Museums”; and Maura Giles-Watson, “Odysseus and the Ram in Art and (Con)text: Arthur M. Sackler Museum 1994.8 and the Hero’s Escape from Polyphemos.”

This volume of twenty-three essays includes “The Girl in the Rosebush: A Turkish Tale and Its Roots in Ancient Ritual,” by Reinhold Merkelbach; “Announced Entrances in Greek Tragedy,” by Richard Hamilton; “Greek Maenadism from Olympias to Messalina,” by Albert Henrichs; “Senecan Drama and Its Antecedents,” by R. J. Tarrant; “A Papyrus Dictionary of Metamorphoses,” by Timothy Renner; and “The Correspondence of Ulrich von Wilamowitz-Moellendorff with Werner Jaeger,” by William Musgrave Calder III.

This volume of fourteen articles includes “The Bee Maidens of the Homeric Hymn to Hermes,” by Susan Scheinberg; “Eleatic Conventionalism and Philolaus on the Conditions of Thought,” by Martha Craven Nussbaum; “The Basis of Stoic Ethics,” by Nicholas P. White; “New Comedy, Callimachus, and Roman Poetry,” by Richard F. Thomas; “On Cicero’s Speeches,” by D. R. Shackleton Bailey; and “Ummidius Quadratus, Capax Imperii,” by Ronald Syme.

This book explores diverse but complementary interdisciplinary approaches to the poetics, intertexts, and influence of the work of C. P. Cavafy (Konstantinos Kavafis), one of the most important twentieth-century European poets. Written by leading international scholars in a number of disciplines (critical theory, gender studies, comparative literature, English studies, Greek studies, anthropology, classics), the essays of this volume situate Cavafy’s poetry within the broader contexts of modernism and aestheticism and investigate its complex and innovative responses to European literary traditions (from Greek antiquity to modernity) as well as its multifaceted impact on major figures of world literature—from North America to South Africa.

Contributors include Eve Sedgwick, Helen Vendler, Dimitrios Yatromanolakis, Richard Dellamora, Mark Doty, James Faubion, Diana Haas, John Chioles, Albert Henrichs, Kathleen Coleman, Michael Paschalis, Peter Jeffreys, and Panagiotis Roilos.